Morgan Meier has many words, though few for herself. Her words have appeared in New York Magazine, Document Journal, Monster Children; she has (and intends to continue) directing, curating and strategizing for boutique agencies, global brands, galleries, individual designers and artists' studios. 

Ashes of her work have been scattered across Paris, Melbourne, New York, an apple farm in Kentucky. She is a New York-based person haunted by "the big questions" (you know the ones,) and a freelancer haunted by M to L ones such as: is it interesting? What is the universal truth?And supremely: is it worthy of another’s time?  

Obsessed with finding the “something special” of anything; touching the “something human" of everything. Her wandering experience (in studios, on photoshoots, packing toddlers’ lunch orders) has made seeing any subject one static way impossible.






Index 


MADE IN CHINA,
GROUP SHOW, OBJECTIVE GALLERY.
ANIMALISTIC TENDENCIES,
CHARLOTTE KINGSNORTH, OBJECTIVE GALLERY.
PLEASE SIT FOR THE ALTERNATE ENDING,
JEFF MARTIN & SAM KLEMICK, OBJECTIVE GALLERY.
WHO HAS THE TIME?
GROUP EXHIBIT, THEMA PARIS / OBJECTIVE GALLERY.
BEN WERTHER ASKS IF LARPING IS THE NEW READYMADE,
INTERVIEW / ESSAY DOCUMENT JOURNAL.
CHILDREN SUCK AT GAMBLING,
SHOW TEXT, ‘SAME CLOTH’ SAXON QUINN.
MEDIATING EARTH AND SKY‘S DIVORCE,
SHOW TEXT ‘THE ANUNNAKI’ GROUP SHOW.
DE-EVOLUTION OF MAN,
ESSAY, WESTMINSTER DOG SHOW.
RICHARD KERN IS NOT DEAD,
BIO / SHOW TEXT, AT THE ABOVE.